An inscription of ownership records that in 1565 this Hours belonged to Jeanne Pettre living at Nancy. In addition, Pierre Le Rouge in his 1491 Hours introduces images by a different artist of the sibyls set between prophets and apostles, which face the biblical images. Paintings & Art Objects Papyri Syndicate records of the Morgan financial firms, 18821933. Jean du Pré used an almost identical set in his 1495 Hours of the use of Besançon.The artist who created the original set of images in the late 1480s is known as the Master of the Apocalypse Rose, because he made cartoons for the rose window of the Apocalypse in the Sainte Chapelle in Paris. Vérard’s Hours of 1490 contained better quality wood or metal cuts, but still not as good as those used by Jean du Pré and Pierre Le Rouge, who seem to have collaborated with the same artists who designed a series of images of the life of Christ and the Virgin Mary, the Fall of the Rebel Angels, the Parable of Dives and Lazarus, and the Three Living and the Three Dead. In 14 Jean du Pré produced two much finer illustrated Hours, some of whose woodcuts were used in Pierre Le Rouge’s 1491 Hours. The first illustrated Book of Hours printed in Paris by Anthoine Vérard had appeared in 1486, but with woodcuts of rather poor quality. The period of his time there coincides with the rise of the luxury printed Book of Hours illustrated by many wood or metal cuts, often illuminated, and clearly an attempt by printers to compete with the market of illuminated Books of Hours, still predominant in the 1480s. It is one of the most beautifully illuminated printed books surviving in Cambridge.The printer, Pierre Le Rouge ‘libraire du roy’, was working in Paris from about 1485 and died in 1493. The Cambridge copy ends with an illuminated manuscript supplement with the text of the Passion according to St John headed by a miniature of the Mocking of Christ, and at the end a painted image of a memento mori skull and a penitential text. It is one of only two extant copies of this edition: the other, also on vellum and illuminated, is in the Bibliothèque nationale de France. This Book of Hours, printed on vellum, containing as its main texts the Offices of the Virgin Mary and of the Dead, is illustrated by 28 full-page wood or metal cuts, all of which have been illuminated. 1490 (1913) Author: Catholic Church.Christian Works : Christian Works Pages: 270 Title: Horae Nostrae Dominae secundum usum Ecclesiae Romanae, Kirchheim i.E. Parigi: Philippe Pigouchet per Simon Vostre, 1501. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. LIBRO D'ORE SU PERGAMENA - Horae Beatae Mariae Virginis ad usum Ecllesiae Romanae. Accompanying each miniature is a floriate border on three sides. Decoration: Sixteen large miniatures and ten small miniatures. EXTRA 10 DAYS WOULD BE REQUIRED FOR PROCESSING AS LEATHER BOUND BOOKS ARE COMPLETELY HANDCRAFTED. written in 19 lines in Gothic script in littera formata, in black ink with red rubrications, and blue, red, gold and black flourishes. If you wish to order a particular volume or all the volumes you can contact us. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. 104 See Dickinson, Missale ad usum insignis etpraeclare et ecclesie Sarum. Cambridge, Mass., General Microfilm Company, 19-. One of the first to use art produced in the wake of an epidemic to argue for. Edition Notes Master microform held by: GmC Microfilm. Fold-outs, if any, are not part of the book. Horae Beatae Mariae Virginis ad usum Ecclesiae Romanae This edition was published in 1497 by 1497 in Paris, Philippe Pigouchet for Simon Vostre. As this book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Officium beate Marie virginis ad usum Romanae ecclesie March 20, 1499, possibly 14991500. Each page is checked manually before printing. Illustrations, Index, if any, are included in black and white. This is NOT a retyped or an ocr'd reprint. NO changes have been made to the original text. Language: Latin Leather Binding on Spine and Corners with Golden leaf printing on spine.
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